RASSEGNA MIART 2019

26/06/19, 17*51 Just Dessert - Artforum International Pagina 4 di 26 https://www.artforum.com/diary/michela-moro-on-milan-art-week-2019-79407 Hauser & Wirth, Herald St, Thaddeus Ropac, Andrew Kreps, Barbara Gladstone, Bortolami, Isabella Bortolozzi, Campoli Presti, and ChertLüdde allowed select international collectors to deftly make acquisitions (and afterward, for once, sleep in their own beds). The icing on the cake: a beautiful exhibition and performance by Anna Maria Maiolino at PAC. That day, at Thinking Italian Milan, Christie’s white-glove annual auction in Italy, everything sold. Curator Francesco Stocchi with Paola Pape at the Fondazione Carriero dinner. What else? On Friday, April 5, Angela Missoni unveiled an incredible house fashioned entirely from crochet by Alessandra Roveda, while Marco Balich, organizer of Olympic ceremonies, presented an installation underneath the navigation sluices designed by Leonardo da Vinci in the former naviglio canals. The city’s v arious offerings weren’t just for VIPs. There was C+N Canepaneri’s opening for Alberto Garutti, an artist treasured by younger practitioners, and at Nowhere Gallery, Fabrizio Vatieri convinced gallery owner Orio Vergani to participate in the his Buchi nell’acqua (Holes in the Water) performance. At Kreëmart, Raphaël Castoriano and 17/04/2019 web web A foglio sheet 4/15 26/06/19, 17*51 Just Dessert - Artforum International Pagina 1 di 26 https://www.artforum.com/diary/michela-moro-on-milan-art-week-2019-79407 DIARY JUST DESSERT April 17, 2019 • Milan • Michela Moro on Milan Art Week 2019 Artist Maurizio Cattelan with Stefano Boeri, President Triennale di Milano and his wife Maddalena Bregani. THESE DAYS, Milano Art Week lasts for about a month. By Monday, April 1—when Fondazione Adolfo Pini hosted the kickoff event for this year’s edition—my yesterdays had already been filled with dozens of openings. Indeed, the density of programs by the art fair Miart is pushing many institutions and galleries to advance their events in order to take better advantage of the wealth of excitement (and, simply, wealth) in the city. A very Milanese sense of discretion emerged at this year’s Art Week. A quiet Marco Tronchetti