RASSEGNA MIART 2019
26/06/19, 17*51 Just Dessert - Artforum International Pagina 2 di 26 https://www.artforum.com/diary/michela-moro-on-milan-art-week-2019-79407 Provera was seen alongside Sheela Gowda at the presentations at Pirelli Hangar Bicocca. Elena Quarestani was at Assab One, her former printing house, with Andrea Mastrovito, Andrea Branzi, and Chiaki Maki, while gallerists such as Gió Marconi dined at an old trattoria with a few friends to celebrate Joep van Lieshout. Heiner Wemhöner staged an impeccably curated selection of work by artists in his collection—Isaac Julien, Masbedo, Julian Rosefeldt, Yang Fudong—at the Palazzo Dugnani. The thousands of black butterflies that filled Fondazione Adolfo Pini for Carlos Amorales’s L’Ora Dannata (The Accursed Hour) served as a counterbalance to Lygia Pape’s rigorous rays of gilded thread at the Fondazione Carriero, feted a few days prior by a sophisticated mix of Milan’s international set as summoned by Giorgio Carriero, a paramount if prudent patron. Philanthropist Martina Rocca Fiocchi, Gianfelic e Rocca, President of Techint Group, and Francesca Bazoli President Brescia Musei. Beatrice Trussardi, through the Fondazione Trussardi, made a donation of Ibrahim Mahama’s 17/04/2019 web web A foglio sheet 2/15 26/06/19, 17*51 Just Dessert - Artforum International Pagina 1 di 26 https://www.artforum.com/diary/michela-moro-on-milan-art-week-2019-79407 DIARY JUST DESSERT April 17, 2019 • Milan • Michela Moro on Milan Art Week 2019 Artist Maurizio Cattelan with Stefano Boeri, President Triennale di Milano and his wife Maddalena Bregani. THESE DAYS, Milano Art Week lasts for about a month. By Monday, April 1—when Fondazione Adolfo Pini hosted the kickoff event for this year’s edition—my yesterdays had already been filled with dozens of openings. Indeed, the density of programs by the art fair Miart is pushing many institutions and galleries to advance their events in order to take better advantage of the wealth of excitement (and, simply, wealth) in the city. A very Milanese sense of discretion emerged at this year’s Art Week. A quiet Marco Tronchetti
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